Monday, 18 August 2008

Mp3 music: Brendan Benson






Brendan Benson
   

Artist: Brendan Benson: mp3 download


   Genre(s): 

Rock

   







Brendan Benson's discography:


Lapalco
   

 Lapalco

   Year: 2002   

Tracks: 12
The Alternative To Love
   

 The Alternative To Love

   Year:    

Tracks: 12






On the rockier end of the power pop spectrum (more Who than Raspberries, that is), Michigan-born, Berkeley, CA-based singer/songwriter Brendan Benson debuted at the long time of 26 with a sterling first record album, 1996's 1 Mississippi. Unfortunately, criminal record troupe troubles both earlier and after the fact damaged the momentum of the track record. Jason Falkner (Portuguese man-of-war, the Grays, etc.) co-wrote over half the songs on the album with Benson, but the number one edition of the record album, produced by Falkner, was spurned by the mark, which place Benson back in the studio with new producer Ethan James (Jane's Addiction, etc.). Several of the Falkner-produced tunes were released by Virgin on a limited edition EP called The Wellfed Boy not coherent after Unitary Mississippi came out. As major-label power pop albums ar wont to do, 1 Mississippi sold passably scruffy, disdain substantiating reviews. Benson exhausted the next respective old geezerhood extricating himself from his Virgin narrow patch producing and appearance on other artists' records. Lapalco marked his autonomous debut, and its critical succeeder spurred his render to the major league in 2005 with The Alternative to Love. Benson so began collaborating with fellow Michiganian Jack White, of the White Stripes, authorship "Regular, as She Goes." The four-piece Raconteurs formed soon after, cathartic that vocal as their first single, and their album, Broken Boy Soldiers, in the spring of 2006.





Ghastly Ones

Friday, 8 August 2008

System Nippel vs Electro Sun

System Nippel vs Electro Sun   
Artist: System Nippel vs Electro Sun

   Genre(s): 
Trance: Psychedelic
   



Discography:


We Can Fly (Alternative Control Rmx)   
 We Can Fly (Alternative Control Rmx)

   Year: 2006   
Tracks: 1




 





Sucker DJs VS New Order

Tuesday, 1 July 2008

Finally, Some Drama at the Tonys: Could ‘Passing Strange’ Upset ‘In the Heights’?

Photos: Carol Rosegg (Stew); Joan Marcus (Miranda); Courtesy of the American Theater Wing (Tony)
Despite the fact that most of the nominated shows are actually pretty good, this year's Tonys look to be the most boring ever — because nearly every award has already been decided in the conventional wisdom. Best Play? August: Osage County, the Pulitzer-winning, hugely entertaining, three-and-a-half-hour cavalcade of family members saying mean things to each other. Best Revival of a Musical? South Pacific. Best Actress in a Musical? Patti LuPone. Best Actor in a Musical? Paolo Szot. Not that these weren't all worthy recipients, but when a baker's dozen theater writers all agree on most of the major awards, it suggests kind of a dull show.

But wait! Michael Riedel thinks that Best Musical — the big prize — might still be up in the air. Most everyone thinks the reggaeton romance In the Heights has the award locked up, but Riedel says that the power of Stew's score, plus Stew's ability to work the voters, makes Passing Strange a dark horse on Sunday night. "He and his porkpie hat have been all over town this past month, charming pretty close to all of the 765 Tony voters," Riedel writes. Could it be true?



We doubt it. It's one thing to give the Best Musical award to a show like Spring Awakening, which is rockish and fun but is still made by people who love musical theater and Broadway. It's another thing to give the award to a show that consciously rejects Broadway tradition — to great effect, it must be said — written by and starring a guy who's made it clear he doesn't really care for, well, Broadway. "If you asked all of us, you could probably count the number of Broadway shows we've seen on two hands," Stew says, describing himself as a guy "you have to drag to the theater."

Contrast this to In the Heights, whose Lin-Manuel Miranda speaks enthusiastically about his love of musicals, and whose show embraces those traditions even as it spices them up with a touch of reggaeton and hip-hop. Sure, this makes the show a little more "energetic and bland," as Riedel snipes, but it also makes it a much better crowd-pleaser than Passing Strange, even if Passing Strange is more innovative a show. Argue all you want about which musical is better, but if you were a Tony voter — that is, in most cases, a devoted Broadway lover — which one would you vote for?

On the other hand, by that logic, maybe Cry-Baby will win. Now that would be an upset!

'STRANGE' TALK IN TONYS [NYP]
Experts predict who'll win the Tonys [Gold Derby/NYT]


Thursday, 19 June 2008

Cold War Kids

Cold War Kids   
Artist: Cold War Kids

   Genre(s): 
Rock
   



Discography:


Robbers and Cowards   
 Robbers and Cowards

   Year: 2006   
Tracks: 12




Fullerton, CA's Cold War Kids make music with roots that go deep and spacious, embrace influences as various as Bob Dylan, Billie Holiday, Jeff Buckley, and the Velvet Underground. Matt Aveiro, Matt Maust, Jonnie Russell, and Nathan Willett began crafting their soulful, blues-inflected withdraw on indie rock as Cold War Kids in 2004, recording demos in Los Angeles soon afterward they formed. After sign language to Monarchy Music, Cold War Kids released their debut EP, Mulberry Street, in spring 2005. The band's unique intelligent and fiery bouncy behave generated a buzz -- in particular from bloggers -- that grew with each tour and waiver. Maust's clean simply attention-getting designs for EPs like With Our Wallets Full and Up in Rags and the group's web site too added to Cold War Kids' mystique. They spent practically of 2006 on the road with Tapes 'n Tapes, Figurines, Sound Team, and Editors and appeared at that year's Lollapalooza. That summer, they signed to Downtown Records, besides home to Art Brut and Gnarls Barkley. The band's full-length debut Robbers & Cowards arrived that hang.






Wednesday, 11 June 2008

Carrie Underwood: "I Scare Guys Off!"

Nashville's golden girl Carrie Underwood is one of the hottest country acts around, and yet despite her undisputed beauty and talent, the former American Idol can't seem to find love.

At this CMA Music Festival, there was buzz mounting that Carrie had a new man, 26-year-old Ryan O'Nan, whom she met through his employer and Carrie's tourmate, Keith Urban.

The pair had been on a handful of dates, including down-home parties in Nashville and outings at the Four Seasons and Mix nightclub in Las Vegas last May. Following weeks of whispers, the duo was rumored to finally be going public at the festival, but when the shy Southern gal sadly showed up solo for the big ceremony on June 6, it seemed that love had once again gone wrong for America's Idol.

So just what caused the relationship to flame out so quickly � her success? "I scare guys off," Carrie, who previously dated Dallas Cowboys quarterback Tony Romo, 28, and Gossip Girl hunk Chace Crawford, 22, tells OK!. "I don't really need any help."

While the blonde beauty may blame herself for her bad luck with men, it appears that Ryan's rumored roving eye may have played a role in her most recent split.

"Ryan is a really fun, nice guy, and he and Carrie never run out of things to talk about, but he has a reputation as a player, and she jokes that he's bad news," a source close to the 25-year-old star tells OK!.

For the complete story on Carrie's love-life woes, pick up the new issue of OK! � on newsstands everywhere Thursday!




See Also

Thursday, 5 June 2008

Davina Mccall - Davina Returns For Big Brother 9

Davina McCall will return to present the ninth series of Big Brother, Channel 4 has confirmed.

The show will return to TV screens in June, despite reports that Channel 4 bosses were considering resting the reality series for a year and that Ms McCall wanted to quit to pursue an acting career.

Brian Belo won the competition last year, but the 2007 series - the eighth - was panned by critics and viewing figures were down compared with previous years.

Meanwhile, the new Big Brother logo - a shattered eye - has been unveiled.

Channel 4 bosses cancelled spin-off show Celebrity Big Brother in January, following rows over alleged racism and bullying last year.

This year, it screened Big Brother: Celebrity Hijack, in its place, but the new format was only screened on digital channel E4, where it attracted an average of 600,000 viewers.

E4 presenters George Lamb and Zezi Ifore have also been announced as the new hosts of Big Brother's Little Brother.

Last year Dermot O’Leary who had presented Big Brother’s Little Brother quit the show to allow him to host ITV series The X Factor.



13/05/2008 14:58:43




See Also

Tuesday, 27 May 2008

Control - 6/3/2008

Ian Curtis was only 23 when he hung himself in the kitchen of his wife's house on May 18th, 1980 in Manchester, England. His band, Joy Division, had been only responsible for one album, 1979's Unknown Pleasures, while the finishing touches were being put on the second, 1980's Closer. These two pesky albums, along with a single "Love Will Tear Us Apart," would constitute posthumous fandom unlike anyone could have imagined. Both Pleasures and Closer were futuristic pieces of musical intrigue that ignored the nostalgia boasted by the bands that influenced them; Bowie and Iggy Pop sure looked futuristic, but their music was only somewhat forward-looking. Uniformly, Anton Corbijn's Control's ostentatious demeanor belies a somewhat routine ponderance of Curtis' abruptly interrupted popularity.



When we first come across Curtis (a well-researched Sam Riley), he is rushing home with a copy of Aladdin Sane under his arm. Like any experimental teen of that era, he dances and contorts in androgynous bliss while his parents quietly read the paper and prepare dinner in the other room. His quick courtship and marriage to Deborah (the consummate Samantha Morton) quickly sticks him in a go-nowhere house with a go-nowhere job at an employment office. Curtis, like most of England, gets a kick in the knickers when he hears The Sex Pistols for the first time, immediately walking into the street and inquiring whether his friends still need a singer for their band Warsaw.



There are moments that will make any Division fan wince. In a long take, Deborah and Ian walk down a street, passive aggressively hassling each other until Ian comes out and says that he doesn't think he loves her anymore; cue "Love Will Tear Us Apart." Not to mention hearing "Atmosphere" played for the umpteenth time to signal Curtis' demise: an eye-rollable offense. An attempt at finding Curtis' final reasoning is a fool's errand that Corbijn can't help but fall for, but for every scene of inescapable creation and familial bickering, there are also moments of devastating solitude that Corbijn, a famed photographer, captures acutely.



Shot beautifully by promising cinematographer Martin Ruhe, Control's first half has a more rambunctious energy that eventually fizzles out. Corbijn invests the early rumblings of the band with humor and fetishized moments of production. The band incapable of doing anything but farting before their first gig is especially ingenious, but Corbijn's staggering recreation of the band's first appearance on Tony Wilson's show playing "Transmission" is easily distinguishable as the film's peak.



Altogether, Control distances itself from the fray but it also can't distinguish itself as a substantial foot forward. Corbijn, a friend of the band in his early days, doesn't address the mythology of Curtis, in turn disregarding his importance and relegating him only to the moments of personal anguish that every Division fan already knows about (his seizures, his affair with a journalist). By defining him by the same actions as any other music legend, Corbijn commits the crime of turning Curtis into just another music legend.







Love tore him apart.

See Also

Friday, 9 May 2008

Winehouse leaves rehab to apply for visa

Winehouse leaves rehab to apply for visa



Singer Amy Winehouse




Spanish Harlem Orchestra

Tuesday, 29 April 2008

John Coltrane and Don Cherry

John Coltrane and Don Cherry   
Artist: John Coltrane and Don Cherry

   Genre(s): 
Jazz
   



Discography:


The Avant-Garde [Deluxe Editition]   
 The Avant-Garde [Deluxe Editition]

   Year: 1990   
Tracks: 5




 





Iron Madness

Saturday, 26 April 2008

Theodore Unit

Theodore Unit   
Artist: Theodore Unit

   Genre(s): 
Other
   



Discography:


Who Are We   
 Who Are We

   Year: 2004   
Tracks: 6




When Wu-Tang






Mylene Farmer

Mylene Farmer   
Artist: Mylene Farmer

   Genre(s): 
Dance: Pop
   Chanson
   Rock: Pop-Rock
   Soundtrack
   Dance
   Pop
   



Discography:


Avant que l'ombre   
 Avant que l'ombre

   Year: 2005   
Tracks: 14


Remixes   
 Remixes

   Year: 2003   
Tracks: 11


L'ame-Stram-Gam (Dance Remixes)   
 L'ame-Stram-Gam (Dance Remixes)

   Year: 1999   
Tracks: 5


Je Te Rends Ton Amour   
 Je Te Rends Ton Amour

   Year: 1999   
Tracks: 4


Live A Bercy   
 Live A Bercy

   Year: 1997   
Tracks: 20


California (Single)   
 California (Single)

   Year: 1996   
Tracks: 6


Xxl (Single)   
 Xxl (Single)

   Year: 1995   
Tracks: 5


L'instant X (Single)   
 L'instant X (Single)

   Year: 1995   
Tracks: 4


Comme J'ai Mal (Single)   
 Comme J'ai Mal (Single)

   Year: 1995   
Tracks: 4


Giorgino   
 Giorgino

   Year: 1994   
Tracks: 24


My Soul Is Slashed (Single)   
 My Soul Is Slashed (Single)

   Year: 1993   
Tracks: 3


Que Mon Coeur Lache (Single)   
 Que Mon Coeur Lache (Single)

   Year: 1992   
Tracks: 2


Beyond My Control (Single)   
 Beyond My Control (Single)

   Year: 1992   
Tracks: 5


L'autre   
 L'autre

   Year: 1991   
Tracks: 10


L'antre   
 L'antre

   Year: 1991   
Tracks: 10


En Concert (cd2)   
 En Concert (cd2)

   Year: 1989   
Tracks: 9


En Concert (cd1)   
 En Concert (cd1)

   Year: 1989   
Tracks: 9


En Concert   
 En Concert

   Year: 1989   
Tracks: 18


Ainsi Soit Je... (Single)   
 Ainsi Soit Je... (Single)

   Year: 1988   
Tracks: 3


Ainsi Soit Je   
 Ainsi Soit Je

   Year: 1988   
Tracks: 10


Cendres De Lune   
 Cendres De Lune

   Year: 1986   
Tracks: 12


Mylenium Tour (Bootleg)   
 Mylenium Tour (Bootleg)

   Year:    
Tracks: 19


Innamoramento   
 Innamoramento

   Year:    
Tracks: 13


Dance Remixes   
 Dance Remixes

   Year:    
Tracks: 16


Collection   
 Collection

   Year:    
Tracks: 16


Anamorphosee   
 Anamorphosee

   Year:    
Tracks: 12




Since 1985, Mylene





Brian Hughes

Grey's Anatomy star battles skin cancer

Grey's Anatomy star battles skin cancer



'Grey's Anatomy' star Eric Dane, has revealed to OK! cartridge holder that he has been diagnosed with skin cancer. 
The 35-year-old actor, wHO plays Dr Mark Sloan in the strike register, became concerned after noticing an unusual temporary hookup of peel to a higher place his lips and immediately sought medical checkup handling.
He told the mag: "I went to my dermatologist. He said it was malignant tissue caused by sun damage."
Doctors treated the growth by freeze it forth with liquid nitrogen and Dane admitted it was a traumatic procedure.
He added: "My skin is rattling sensitive and my lip was traumatised by the subroutine I had to go through. I didn't feed really well for a duet of weeks and doomed a caboodle of weight."
Scorn dropping over 10 pounds (4.5 kilograms) during his ordeal, the actor has insisted he is on the road to recovery.




Buck 65

Friday, 25 April 2008

Cloverfield sets monster record in US

Cloverfield sets monster record in US



'Cloverfield' has become the first freak hit of 2008 after devising $41m (€28m) in the US last weekend, a record hatchway for Jan according to studio estimates.
Watch an extended clip from 'Cloverfield' here.
The tarradiddle of a giant reptilian causing chaos in Fresh House of York City surpassed the $35.9m premier weekend of the 'Star Wars' special edition in 1997, the previous topper for Jan.
Featuring a hurtle of unknowns, 'Cloverfield' tells its devil history from the position of a partygoer's hand-held telecasting photographic camera, which captures the mayhem as the tool crying through the city.
The film benefited from cryptic marketing that sent moviegoers on a magpie hunt to decipher clues around the movie's plot, images and even its title, which was non confirmed until shortly before its release.
'Cloverfield' is released in Hibernia on 1 Feb.